History has preserved for us two magnificent silver cups from the boggy marshes of Ireland. The first is known as the Gundestrup Cauldron and comes from a century or two before Christ, a the time when the Irish worshiped violent pagan gods. It is adorned with pictures of gods and warriors. One panel shows a gigantic cook-god holding squirming humans and dropping them into a vat of oil. These gods demand human sacrifice to appease their appetite.
The second cup is called the Ardagh Chalice and comes from the seventh or eighth centuries after Christ, a time when the Irish had turned to Christianity. Like the first it is a work of magnificent craftsmanship, but the God it depicts is radically different. It has a simple but intricate patterning. But this is a cup of peace, designed to be used in communion. As the worshiper lifts it to her lips she is reminded that this God does not demand human sacrifice, but instead sacrifices himself for us.
Source: reported in T Cahill, How the Irish Saved Civilisation (Hodder, 1995)
 
 The Manchester City Art Gallery houses a painting of Christ by Holman Hunt. It shows Jesus standing inside his father’s carpenter shop in Nazareth. He has momentarily put his saw down and is stripped down to a cloth around his waist. A weary Jesus stretches his arms above his head, casting a shadow onto the wall, a shadow in the shape of a person crucified. A long narrow tool rack hanging on the wall intersects perfectly with his shadow to give the impression of the crossbeam of the cross.
The Manchester City Art Gallery houses a painting of Christ by Holman Hunt. It shows Jesus standing inside his father’s carpenter shop in Nazareth. He has momentarily put his saw down and is stripped down to a cloth around his waist. A weary Jesus stretches his arms above his head, casting a shadow onto the wall, a shadow in the shape of a person crucified. A long narrow tool rack hanging on the wall intersects perfectly with his shadow to give the impression of the crossbeam of the cross.